Holy Grail Timelapse + Hyperlapse Course Bundle

Bundle DAY TO NIGHT AND HYPERLAPSE.png
Bundle DAY TO NIGHT AND HYPERLAPSE.png
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Holy Grail Timelapse + Hyperlapse Course Bundle

89.00 98.00

Duration: 3h10

  • Language: English

  • Videos: 23

  • Level: Intermediate - Expert

  • Watch it online or download the videos on your computer

    This package includes the Day to Night Holy Grail Timelapse Course + The Hyperlapse Course for 25% off total price!

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The Holy Grail Timelapse and Hyperlapses Courses Package

A lot of people know how to shoot basic timelapses. But when it comes to Holy Grail Timelapses and Hyperlapse Videos, this is another story. This is why I created a package that includes those 2 courses with 25% off total price of both courses. More than 3 hours of lessons in 23 videos. I guarantee you that you'll be able to shoot beautiful Day to Night timelapses and amazing Hyperlapses at the end of those 3 hours.

Check the full description of both courses below !


Course 1/2 - The Hyperlapse Course

Learn Hyperlapse Photography with Emeric's Timelapse.

In this course, I teach you every aspect of hyperlapse photography. It's not always easy to shoot a perfectly smooth hyperlapse. That is why I am going to share with you every single secret I know to make them look awesome, even before stabilization.

You will learn how to shoot day and night hyperlapse videos, but also day to night "Holy Grail" Hyperlapse videos. The post-production part is also full of information. I take the time to explain how to stabilize any hyperlapse using the Tracker and the Warp Stabilizer in After Effects.

Plus, I give you a lot of tips and tricks to make you hyperlapse stand out! 

Day Hyperlapse

Day Hyperlapse

Night Hyperlapse

Night Hyperlapse

Day to Night "Holy Grail" Hyperlapse

Day to Night "Holy Grail" Hyperlapse


Before you watch this course, you need:

  1. LRTimelapse 4 or 5 (You don't technically need it for standard day or night hyperlapses but it's required for Holy Grail. However, I like to use it all the time to watch a preview of the hyperlapse and remove visible flicker.)
  2. Adobe Lightroom (Must have for color correction)
  3. After Effects (Must have for stabilization)

 

If you download this course, you'll get

- 10 instructional videos to learn how to shoot and stabilize Day, Night and Day to Night Hyperlapses.

- A raw image sequence of 150 photos of the Day Hyperlapse to practice in the same time you are watching the tutorial. 

- A personal support in case you have any issues ou questions regarding Timelapses and Hyperlapses.


Lessons

1- Intro.jpg

Video 1 - Quick Course Introduction (1:05)

 

Just a quick introduction to the hyperlapse course.

 

 


2 - production.jpg

Video 2 - Production: How to shoot a hyperlapse? (8:43)

The most important video of this course, how to shoot a hyperlapse? It's important to feel comfortable with it to make the stabilization process fast and easy. In this video, I go over all the cameras settings and gear that you need to shoot a hyperlapse. I also give you all my secrets to make the hyperlapse as smooth as possible even before stabilization.


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Video 3 - Post-Production Day Hyperlapse: Colors (18:30)

We are now done shooting the Day Hyperlapse. In this video, I use LRTimelapse and Lightroom to color correct my image sequence before the stabilization. It's probably something you know how to do if you already shoot timelapses, but I think it's important because the workflow might be slightly different.


Day Hyperlapse Before/After Stabilization

Day Hyperlapse Before/After Stabilization

Video 4 - Post-Production Day Hyperlapse: Stabilization (23:49)

The stabilization is an important part of a hyperlapse. It's almost impossible to shoot a smooth hyperlapse without it. In this video, I take the time to show you how to properly do it using the Tracker tool in After Effects. Do you know what is the Attach Point? The Feature Region? The Search Region? If not, I explain everything!

<-- Watch the before/after on your left.


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Video 5 - Post-Production Day Hyperlapse - Warp and Cropping (5:18)

Now that we used the Tracker to stabilize the hyperlapse, we can apply the Warp Stabilizer and crop our video to create the final widescreen 16:9 format, ready to sell and share with the world!

 


Holy Grail Hyperlapse

Video 6 - Production: How to shoot a Day to Night "Holy Grail" Hyperlapse? (4:11)

This production video is a little shorter because if you know how to shoot a hyperlapse and a day to night timelapse, you pretty much know how to shoot a day to night hyperlapse as well. But I take a few minutes to tell you how I proceed.

If you are not comfortable with day to night timelapses, please watch my Holy Grail course first, it's important you know how to shoot standard Holy Grail timelapses. Click here for more info!


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Video 7 - Post-Production Holy Grail Hyperlapse: Color and Wizard (8:50)

In this video, I use LRTimelapse and the Holy Grail Wizard to compensate the exposure changes on my sequence.

Then I import all the pictures in Lightroom and do the color correction from day to night!

 


Day to Night Hyperlapse Before/After Stabilization

Day to Night Hyperlapse Before/After Stabilization

Video 8 - Post-Production Day to Night Hyperlapse: Stabilization (17:33)

One more time, I use the Tracker and the Warp Stabilizer to stabilize my Holy Grail Hyperlapse. This time I use a different technic with the attach points, something that is going to help me stabilize it faster and easier.

The goal in this video is to make the hyperlapse as smooth as possible for the Warp Stabilizer.


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Video 9 - Post-Production Bonus: How to stabilize a Hyperlapse with object in front of tracking points? (16:04)

Sometimes, an object can block the view of your feature element. I show you here how to work with objects passing in front of your tracking points.

There is always a way to stabilize a hyperlapse with After Effects.

 


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Video 10 - Conclusion and final words (3:54)

In this final video, I give you a few tips and tricks to make you hyperlapses look amazing. It's important to feel comfortable during the production and the post-production so you can create amazing pieces of art.

I now hope that hyperlapses don't have any secrets for you. If you are still uncertain with a few things, do not hesitate to send me an email at emerictimelapse@gmail.com


 

Course 2/2 - Holy Grail Day to Night Timelapse

The Day to Night Timelapse Course is the best way to learn Holy Grail timelapses. Shooting and editing day to night is not easy because of the exposure change between the day and the night. In this course, I teach you everything you need to know from the pre-production to the post-production. You will learn everything about the settings and how to shoot them on location, but also how to properly edit them using LRTimelapse and Lightroom to end up with a flicker free video.

In this 1 hour and 20 minute course, divided into 13 videos and 3 main parts, I give you so much information on how to shoot, edit and color correct those kind of timelapses to end up with a flicker free video.

You will learn how to create those kind of Holy Grail timelapses

 
 

Before you watch this course, you need:

  1. LRTimelapse 4 or 5 (free up to 400 photos)
  2. Adobe Lightroom
  3. After Effects (optional)

 

If you download this course, you'll get

- 13 instructional videos to learn how to shoot and edit Holy Grail Day to Night Timelapses.

- The 3 final videos for your personnal use

- A Raw sequence of 457 photos of the Downtown Los Angeles Sunset to practice in the same time you are watching the tutorial.

- A personal support in case you have any issues ou questions regarding Holy Grail Timelapses.


Lessons

Intro Cours.jpg

Video 1 - Introduction (1:24)

 

In this quick video, I introduce the 3 different parts of this course from the pre-production to the post-production, including the production.


Pre-Production.jpg

Video 2 - Pre-production (7:15)

The pre-production is very important. You need the correct gear and accessories to shoot a 2 or 3 hours long timelapse. I also explain how to chose a good subject because it has to be interesting from day to night. Knowing when to start a Holy Grail to catch the Golden Hour light is also important and I give you some tips in this video about this matter.


Production.jpg

Video 3 - Production (10:40)

The production is probably the most important part in this course. I give you tons of informations about my settings at the beginning, my interval and how to change the settings, what we call the ramping.

I show you live how I change the settings on my Canon 6D.


Intro Post Prod.jpg

Video 4 - Intro Post-Production (12:01)

I introduce the 3 types of Holy Grail Timelapses that we are going to edit and color correct using LRTimelapse and Lightroom.

Note: After a SD card issue, I won't be able to work on the timelapse I shot in video 3 "Production". But it's not a big deal, I have plenty of amazing and beautiful day to night timelapses we can use for this tutorial.


New York 1.jpg

Video 5 - Post-Production: NYC Day to Night LRTimelapse (5:34)

In this first post-production video, I show you LRTimelapse and the Holy Grail Wizard. It's an amazing tool to remove the flicker caused by the difference of exposure during the day to night. It's important to know how to use it to get a flicker free timelapse videos at the end.


New York 2.jpg

Video 6 - Post-Production: Colors Correction on Lightroom (10:38)

 

I import my photos in Lightroom and show you how to get some nice colors and contrast from day to night.


New  York 3.jpg

Video 7 - Visual Deflicker (5:56)

 

I go back to LRTimelapse to create the Visual Preview and use the Visual Deflicker. Sometimes, even after using the Holy Grail Wizard, you can have some flickering left, so it's important to know how to correctly use the Visual Deflicker tool. I teach you how to use it by selecting an area of your timelapse with smooth light transition.


New York 4.jpg

Video 8 - Creating the video from the RAW sequence (8:54)

 

Our timelapse is now ready to be created. I teach you how to create the final video from your sequence using 2 different ways. The first one using only LRTimelapse and Lightroom and the second one with After Effects.


LA 1.jpg

Video 9 - DTLA Day to Night LRTimelapse and Lightroom (14:12)

Having the sun in your shot change a lot of things. This is why I decided to include the post-production of one of those timelapses where the sun sets in my shot. I had some issues during the shoot because my foreground became very very dark. I am going to show how to fix that using Lightroom to end up with a not too grainy video.


LA 2.jpg

Video 10 - Visual Deflicker (4:04)

One more time, I create the Visual Preview and use the Visual Deflicker of LRTimelapse to remove the remaining flickering.

It's important to know how to use this tool, that's why I am showing you a second time with a different timelapse.


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Video 11 - Las Vegas Night to Day LRTimelapse and Lightroom (13:38)

Sunrises are a little different that sunsets. In this video, I show you what settings I used to shoot this beautiful sunrise and why I decided to change only the shutter speed and not the aperture or ISO.

Then we edit it and color correct it using LRTimelapse and Lightroom!


Las Vegas 2.jpg

Video 12 - Visual Deflicker (2:01)

 

Finally, I am using LRTimelapse to do the Visual Deflicker. This time I use the entire image instead of a specific area.


Conclusion.jpg

Video 13 - Conclusion: 5 mistakes to avoid (5:59)

In this last video, I am talking about 5 mistakes you should avoid doing during a day to night timelapse. It's based on all the questions and comments I received on Facebook, Youtube and Instragram about those kind of timelapses.


Thank you so much for watching this course, feel free to contact me if you have any issues or questions.